Ó Bhéal’s 7th Winter Warmer Poetry Festival, Cork – 22nd / 24th November 2019

Contemplating the Muse

No 21 – Linda Ibbotson

A poet is, before anything else, a person who is passionately in love with language.”
― W.H. Auden, The Complete Works of W.H. Auden: Prose, Volume II: 1939-1948


It is the love of language as mentioned by W H Auden in the quote; whether it is exploration of the written word, the verbal, lyricism, voices captured on video/ film, challenges of poetry translation or language understood by the hard of hearing through sign that is  incredibly absorbing and unifying.

Here, in Cork city there is evidence of the passionate love of language, along with inspiration, diversity and affinity sweetening the November air as eminent writers and friends gathered from across the globe to meet at the wonderful Ó Bhéal 7th Winter Warmer Poetry Festival, Kino, Cork.


I am delighted to present a selection of photos to document the inspirational events, and on a personal level it was wonderful to feel immersed and creatively nourished in both the love of language and in the visual through the camera lense. For further information on the poets, readings and events at the Winter Warmer  – https://www.obheal.ie/blog/winter-warmer-poetry-festival/winter-warmer-festival-2019/

Much appreciation to Paul Casey, Founder and Director of Ó Bhéal and his hardworking team!


It was an extensive, diverse and thoroughly engaging programme of poetry readings, performance, workshops, interviews, multilingual poets and translations in addition to  poetry/ film from the Ó Bhéal International Poetry – Film Competition.   


Delighted to see my photograph in a Winter Warmer Festival review article by Cornelia Gräbner, Lancaster University.



An upbeat, captivating performance by Dubliner Ciara Ní É, the founder of REIC, a monthly multilingual spoken word and open mic night that features poetry, music, storytelling and rap. She has performed in New York, London, Sweden, and across Ireland.

Philip Wilson teaches philosophy at the University of East Anglia – The Bright Rose (Arc 2015) is an edition of texts and translations of German poetry from 800 to 1280.


Dourga is a trio of musicians, singers, poets and healers. Their music is rooted in an awareness of the healing power of Sacred Sound and the exciting energy of fusion of musical genres, creating a vibrant musical and emotional journey for the audience.




One of the most captivating and emotive readings. Liz Berry was born in the Black Country and now lives in Birmingham. Her first book of poems, Black Country (Chatto 2014), described as a ‘sooty, soaring hymn to her native West Midlands’ (Guardian.) Her pamphlet The Republic of Motherhood (Chatto, 2018) was a Poetry Book Society Pamphlet choice and the title poem won the Forward Prize for Best Single Poem 2018.







Louis Mulcahy was born in Wexford in 1941. He is a well-known potter who writes poetry. He has four full collections, one in Irish. The first three were published by An Sagart Publishing. His latest, A Potter’s Book, appeared this year from Doire Press. His work has been in Poetry Ireland Review, The Stinging Fly, The Shop, Stony Thursday, Southword etc., and read on RTE1, Lyric Radio and Radio na Gaeltachta.





KINO, CORK CITY – What a fantastic relaxing venue for a poetry festival!



Danielle McLaughlin’s stories have appeared in newspapers and magazines such as The Stinging Fly, Southword, The Irish Times, The Sunday Times and The New Yorker, and have been broadcast on RTE Radio 1 and BBC Radio 4.




Richard Hawtree’s poems have appeared in literary magazines including: the Stinging Fly, Banshee, The Blue Nib, The Honest Ulsterman, SOUTH, and Skylight 47. He lives in Surrey, where his academic interests encompass medieval literature and creative writing. He is a visiting lecturer at the University of Brighton and he has taught Old English language and literature at the University of Leicester.


Aifric Mac Aodha was born in 1979. Her first collection, Gabháil Syrinx was published by An Sagart in 2010. She is a former editor of Comhar, and the current Irish-language poetry editor of The Stinging Fly, gorse and Poetry Ireland’s Trumpet. The Arts Council of Ireland awarded her several bursaries and in 2016, she received the Oireachtas prize for poetry.


One of the highlights of the Festival, Poetry Film! – Marie Craven, here in discussion with Claudia Larose-Bell, Colm Scully and Paul Casey, has been a maker of short films for 35 years. These have exhibited extensively at international festivals and events, and gathered many awards.These include Best Film at the 2016 Ó Bhéal Poetry Film Competition, where her work has been among the finalists every year.

The Love of the Sun, an audiovisual poetry performance is inspired by the latest collection from Australian writer Matt Hetherington, titled The Love of the Sun (Recent Work Press, 2018). Directed by Marie Craven, it features Australian actor, Claudia Larose-Bell, former lead player with the Adelaide State Theatre Company. Writer Matt Hetherington has published over 300 poems and five books during the past 20 years, in Australia, Europe and USA. Music is composed by musician and DJ Steve Kelly, in the UK.


Saturday afternoon included a closed mic for 10 local poets that attend Ó Bhéal Monday poetry evenings regularly!



Amanda Bell is a writer, editor and reviewer, with an MA in Poetry Studies. Her publications include First the Feathers (Doire Press, 2017), which was shortlisted for the Strong Shine Award; Undercurrents (Alba, 2016), which won a HSA Kanterman Merit Book Award and was shortlisted for a Touchstone Distinguished Books Award; an illustrated children’s book, The Lost Library Book (Onslaught, 2017); and the loneliness of the sasquatch, from the Irish by Gabriel Rosenstock (Alba, 2018).

Gabriel Rosenstock was born c. 1949, Kilfinane, Co. Limerick, in postcolonial Ireland. He is a poet, tankaist, haikuist, novelist, essayist, playwright, author/translator of over 180 books, mostly in Irish, or bilingual editions. He is a member of Aosdána (Irish academy of arts & letters), a Lineage Holder of Celtic Buddhism, a Former Chairman of Poetry Ireland/Éigse Éireann and a prolific translator into Irish of international poetry


From a theatrical family, Afric McGlinchey is a multi-award-winning poet based in West Cork. A recipient of bursary awards from the Arts Council of Ireland and from Cork County Council — Raised in various countries in Africa, her debut collection, The lucky star of hidden things (Salmon Poetry, 2012) was translated into Italian (L’Arcolaio) and studied in a Poetics of Dislocation Series at Bologna University. Poems have been also translated into Spanish, Polish, Romanian and Irish. Her second collection, Ghost of the Fisher Cat (Salmon, 2016) was nominated for the Forward Prize and the Piggott Prize. Here, with Michael Ray.



Rosalin Blue, poet and one of the hardworking team, here, in charge of the bookstall


A captive audience!



Poetic voices explored the Gaelic literary landscape, including –

Anne C Frater was brought up in the village of Upper Bayble in the Isle of Lewis, in a home and a community where Gaelic was the main language. Scottish Gaelic is her first language, and the language in which her poetry is written.






Travelling south took us to the warmer climes of Galacia with Yolanda CastañoYolanda was born in Santiago de Compostela. She has been a columnist, has worked in Galician TV for many years and is an editor and very active culture manager with her own Residency for Writers in Galicia and has poems translated into more than 35 languages, but also poetry volumes in Italian, French, Macedonian and Armenian, as her new books into English and Serbian are about to be launched.  


The love of language has no age barrier



United by poetry it was heartwarming to witness the inclusion of the deaf community with sign language from Ray Greene at the finale on Sunday at the Long Valley “Many Tongues of Cork” organised and presented by Joanna Dukkipati. Six women read their poems in the original language (with translations projected overhead), including Tamil, Italian, French, Marathi, Polish and German. A wonderful musical interlude by the Underscore Orkestra, formed in Portland, Oregon and now based in Cork Ireland.

Readers for this all-Women presentation include: Dr Lekha Menon Margaseery (Tamil), Michaela Lagoria (Italian), Nelly Azzapordi (French), Rosalin Blue (German), Mummy Harmony (Polish) and Pratibha Patil (Marathi).


Cork poet and artist Margaret Creedon sketching the poets! It is no doubt that words are very much alive, piquant, immensely powerful, even visionary and play a significant and enriching role in our lives.



Myself, captured in front of the lense!

 Interestingly, I discovered W H Auden’s house in Brooklyn on a recent visit to New York in October but therein lies another blog adventure…..  


Photographs copyright © Ó Bhéal and taken by Linda Ibbotson

All information from the Ó Bhéal website with kind permission – http://www.obheal.ie/blog/

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NEW YORK – IVAN ILIĆ – BARGEMUSIC 11th-13th Oct 2019

Contemplating the Muse

No 20 – Linda Ibbotson

Plato“Music gives a soul to the universe, wings to the mind, flight to the imagination
and life to everything.”  

Here, in New York City, listening to wonderful pianist Ivan Ilić in an authentic former coffee barge moored in Brooklyn. Give flight to your imagination –  the slapping of waves against the bow, the sporadic hoot of the river traffic, feel  the swaying of the barge. From the Steinway, notes shaped like leaves gently rise and fall into the East River as the Manhattan skyline pulls down the night.

Ivan Ilić plays with clarity and sensitivity, powerful and yet gentle at the same time which I find rare and expresses an enthusiasm for research that is contagious! His programme of concerts ran over three days and was tailored to suit all tastes, from the contemporary such as Hans Otte, Scott Wollschleger, Keeril Makan, Melaine Dalibert, Satie, and Debussy to the more traditional Haydn, Beethoven and Reicha.

The New Yorker – https://www.newyorker.com/goings-on-about-town/classical-music/ivan-ilic



BARGEMUSIC is a magnificent legendary classical music venue established in 1977 with approx 200 concerts every year  and is moored at Fulton Ferry Landing close to The River Cafe restaurant. The words of Walt Whitman’s poem Crossing Brooklyn Ferry inscribed in the surrounding railings. It was the vision and passion of concert violinist Olga Bloom who played in orchestras such as the American Symphony Orchestra and numerous Broadway musicals. It is, from 2005 in the caring hands of her dear friend Russian violinist Mark Peskanov, President and Artistic Director. From BARGEMUSIC Website – “Mark emigrated from Odessa to the USA aged 15. His phenomenal musicianship won him both the Aspen and Juilliard concerto competitions, bringing him to the notice of Isaac Stern and Mstislav Rostropovich and rocketing him into the top echelons of the music world.”

BARGEMUSIC WEBSITEhttps://www.bargemusic.org/

 This was Olga’s third barge as the other two were not suitable for various reasons. It took 10 years to find a suitable mooring and the interior cherry wood paneling alone, took a year to fetch piece by piece from a Staten Island Ferry in her Volkswagon. She sadly passed away in 2011. 

reviews & press

New York Times –  A Music Hall Sways To Its Own Beat – Mark Peskanov…. “has added a new-music series (Here and Now), an early-music series (There and Then) and jazz concerts to the diet of standard repertory solo and chamber works that has been Bargemusic’s main fare” –

New York Times – Reflection of a Dream- Olga Bloom –  “There are many wonderful musicians who work so hard and never get a chance to be heard. I wanted to create a place for them to perform in an environment that would nurture, rather than destroy, their creativity.”

What an accomplishment!  See full interview with Olga. All links at the end of this article. 


Mark Peskanov



Thrilled to see my photographs published in LIMELIGHT! – A ★★★★★ review of  Ivan Ilić’s concert at BARGEMUSIC, NYC. This beautifully written poetic review by Clive Paget expresses and encompasses every musical moment!
“Ilić remains trance-like, his touch light as a falling leaf.” LIMELIGHT – AUSTRALIA’S CLASSICAL MUSIC AND ARTS MAGAZINE. 

Hans Otte’s Book of Sounds (Bargemusic, Brooklyn)

From Ivan’s website – Serbian American pianist Ivan Ilić enjoys a unique place in today’s musical landscape thanks to his unconventional repertoire and multifaceted approach. By combining performing with writing, producing radio and video, and drawing upon key interdisciplinary experiences with visual art, acting, and the neuroscience of learning, he develops new audiences for unfamiliar music.

His eclecticism is reflected in his musical projects, which range from the notoriously difficult Chopin/Godowsky studies, to the delicate abstraction of Morton Feldman, to his most recent enterprise: the rediscovery of music by Beethoven’s Czech friend and contemporary, Antoine Reicha (1770-1836).

Ivan’s Websitehttp://www.ivancdg.com/


Incredible technical skills and dexterity illuminated here in this moment captured during the beautiful and contemplative  Hans Otte – Book of Sounds. 

Ilić earned degrees in mathematics and music at the University of California Berkeley before moving to Paris with a Hertz Fellowship. He then studied at the Conservatoire Supérieur de Paris, where he received a Premier Prix, and the Ecole Normale de Musique de Paris for postgraduate work. The City of Paris sponsored his first recording.

He has written about music for the websites of GramophoneBBC Music MagazineMusic & Literature and Limelight and has also co-produced several 5-hour radio series for Swiss Radio RTS Espace 2. For 2019-2021 he is Ulster University’s International Musician in Residence.

  Brooklyn Bridge, a perfect backdrop!


OCT 11th –

  • Hans Otte (1926-2007) The Book of Sounds (1979-1982)

Oct 12th – 

  • Keeril Makan (b. 1972) Capture Sweetness (2018)
  • Scott Wollschleger (b. 1980) Music without Metaphor (2013); Gas Station Canon Song (2017/18);New Work (2019)
  • Melaine Dalibert (b. 1979) Litanie (2019, *World Premiere); Danse (2019, *World Premiere); Percolations (2019, *US premiere); Etude II (2019, *US premiere)
         & works by Debussy and Satie

Oct 13th –

  • Haydn Symphony No. 44 in E minor (transcribed for solo piano by C.D. Stegmann)
  • Antoine Reicha Four Fugues from Etudes, Op. 97
  • Haydn Capriccio in G major, on “Acht Sauschneider müssen sein”
  • Beethoven Sonata No. 8 in C minor, Op. 13 (“Pathétique”)

New York Classical Review

Sounds on the water with Otte work at Bargemusic


In 2016 he began focusing on Reicha’s neglected piano music, which he is recording in a 5-album series for Chandos Records. Volume 1 of the Reicha Rediscovered series, co-sponsored by Swiss Radio RTS and the Palazzetto Bru Zane in Venice, led to a surge of interest in Reicha’s music. Editorial and reviews in the British, German, French, and Italian classical media raised the same question: how is it possible that such remarkable music by a friend of Beethoven, a student of Haydn, and the counterpoint teacher of Liszt, Berlioz, Franck has never been recorded before? After the score languished in the French National Library for over 200 years, a piece from Volume 1 was listened to over 1,000,000 times on Apple Music. This led to a short documentary series about Reicha written and presented by Ilić, which in turn led to a widely-shared feature story in The New York Times. Volume 2 of the series was released in September 2018, with prominent media coverage in Germany, France, Luxembourg, the UK, the Netherlands, Switzerland, Korea and Australia. In a five-star review, BBC Music Magazine wrote “In this pianist, Reicha’s music has the best possible advocate”.


A wonderful rapport with the audience and explanation of his concert programme  


Ivan Ilić’s most recent recording – three Haydn Symphonies transcribed for solo piano by Carl David Stegmann – was CD of the week of Classic FM in the UK, Radio Classique in France and Rondo Magazin in Germany. The Sunday Times called the performances “cleanly articulated and beautifully coloured”; International Piano called it “a fascinating disc with terrific sound”.

A fantastic review by LIMELIGHThttps://www.limelightmagazine.com.au/reviews/haydn-stegmann-symphonies-ivan-ilic/

There is a wonderful intriguing story regarding the discovery of these transcriptions in a Cologne trunk

Where have these transcriptions been Haydn?


Awash in the semi darkness a very attentive and appreciative audience, the lighting reminiscent of a Caravaggio masterpiece.

The Steinway & Sons securely bolted to the floor!


Ivan’s CD in 2012 featured the complete Chopin Studies for the left hand by Leopold Godowsky, a tour-de-force of musicianship and virtuosity. The recording was described as “a major achievement” and “breathtaking” by BBC Radio 3. It featured prominently in The Daily Telegraph [CD of the Week], German MDR Figaro [Top 5 CD], and Czech Radio [5 stars]. The album was broadcast widely across 6 continents. Videos of Ivan Ilić performing Godowsky on YouTube attracted over 500,000 views. Shortly afterwards, he made his acting début in two French short films: Luc Plissonneau’s Les Mains and Benoît Maire’s Le Berger.


It was wonderful that both Scott Wollschleger – photographed here- and Keeril Makan were present to hear their compositions!
Ivan also played compositions by French composer Melaine Dalibert.


Lower Manhattan, a theatrical backdrop and a contrast between the commercial district and Bargemusic. Seen below through the picture windows Olga fitted!


Les secrets de l’Adagio de la “Sonate Pathétique” de Ludwig van Beethoven – Ivan Ilic RTS – Radio Télévision Suisse


I relish a sense of adventure and spent time between concerts discovering Brooklyn, breakfasted with hearty appetite; delicious cinnamon porridge and berries at the infamous The River Cafe, felt the wonder in a child’s eyes at Jane’s Carousel and I too felt childlike as I explored the juicy streets of Pineapple, Orange and Cranberry, seasonally adorned with a plethora of pumpkins on Brownstone steps. Among these I was excited to discover the former homes of  writers, – Henry Miller, W H Auden and Trueman Capote where ‘Breakfast in Tiffany’s was completed and my creative appetite felt both wholly satisfied, yet ravenous for more!

Thank you for following my adventures and a slice of the Big Apple!





Episode 1 of a 5 video series – Introducing the Shigeru Kawai SK-EX concert grand piano 


Links – Composers

Keeril Makanhttp://keerilmakan.com/

Scott Wollschlegerhttps://scottwollschleger.com/

Melaine Dalibert http://www.anothertimbre.com/melainedalibert.html

Photographs –  ©  Linda Ibbotson



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Cafe Townhouse – Doneraile, Ireland – with poet Mary Noonan

Contemplating the Muse

No. 19

Linda Ibbotson

“The people that I liked and had not met went to the big cafes because they were lost in them and no one noticed them and they could be alone in them and be together.”

Ernest Hemingway – A Moveable Feast 


In the 1920’s Paris, writers, artists and musicians such as Ernest Hemingway, Ezra Pound, Scott Fitzgerald, Picasso, Salvadore Dali etc, spent much of their time in cafes. Often a refuge from poverty they would escape from grey winter cold, sit around a welcoming brazier, socializing, writing and observing. They included infamous haunts of la vie de bohème such as Saint Germaine and Montparnasse; Les Deux Magots, Le Dome Cafe, La Closerie des Lilas and in Venice, the Caffè Quadri and Caffè Florian, founded in 1720 under the arcades of Piazza San Marco, frequented also by noblemen, politicians and intellectuals where I savoured cappuchino at Hemmingway’s favorite table! As a writer, photographer and cafe culture lover, I relish time alone, observing life through the lens, my camera my constant companion.


Here, in Ireland, I discovered the wonderfully restored multi prestigious award winning  Georgian Cafe Townhouse and Townhouse Interiors, Doneraile, Co. Cork, owned by Myra Ryall and Ray O’Callaghan. I spent a refreshing afternoon sipping tea from a china cup and dainty teapot and relishing scrumptious chocolate cake in a stylish setting reminiscent of a bygone age; the elegant intimacy of a stately country house drawing room with a twist of chic French Provincial! I contentedly browsed a plethora of sumptuous interior design books, wrote notes for a poem! The perfect place to relax and enjoy a wholesome lunch, the fresh produce is sourced locally! Thank you too to the wonderful attentive staff!







When Cork poet Mary Noonan invited me to photograph her, the Cafe Townhouse, thanks to the wonderful hospitality of Myra, was the perfect location! Here is the headshot for her second collection ‘Stone Girl’ published by Dedalus Press in February 2019. Mary was born in London of Irish parents, and was brought up in Cork city and county. Having worked in Brussels and London, she returned to Cork in 1994 to take up a post as Lecturer in French at University College Cork and is reading at various festivals throughout the year including the Cork International Poetry Festival and West Cork Literary Festival


Link to Stone Girl – Dedalus Press including poem Self-Portrait with Camellia Branch – homage to Paula Modersohn-Becker



The Poetry Programme, Sunday 26th May 2019

Olivia O’Leary meets poets Mary Noonan and Ciarán O’Rourke.







Townhouse Interiors



Myra’s elegant and inspirational interior design showrooms, here with beautiful soft furnishings and expert advice on style and design!


Steeped in history, the Cafe Townhouse was formerly The Commercial Hall dating back to the 1870’s. Here, in the upstairs salubrious private tearoom, donning a top hat you can imagine you are Alice in Wonderland in Mad Hatter tea party style! Having fun with Mary Noonan!


Page 96 Café Townhouse has received a full page Magazine spread on QTravel one of the worlds most prestigious Travel Magazine featuring The Worlds most beautiful, historical,  exotic places for tourists the world over to visit!


I wish Mary Noonan all the very best with her brilliant poetry collection Stone Girl and Myra and Ray continued success with the fantastic Cafe Townhouse and Townhouse Interiors, Doneraile, Co. Cork!


Thank you for joining me for tea in this picturesque corner of Cork. Thrilled too that nearby Doneraile Court nestling in 400 acres of walled parkland inspired by Capability Brown and a setting reminiscent of a Jane Austin novel, has been refurbished by OPW and promises an exciting future programme of arts and cultural events in addition to regular guided tours!




Further Links –

Click to access ernest-hemingway-a-moveable-feast.pdf



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BERLIN – Ivan Ilić – Reicha Rediscovered Vol 2 – Piano Salon Christophori – 20/09/2018


Contemplating the Muse

No 18

Linda Ibbotson

From grandeur to graffiti, bohemian Berlin’s creative vibe is its raison d’etre.

Thrilled to revisit for Ivan Ilić’s wonderful concert and CD launch Reicha  Rediscovered Vol 2 which particularly focuses on counterpoint and fugue. Chandos Records.

You can be forgiven in thinking from the outside the Piano Salon Christophori is simply another urban warehouse.  In fact, the former tram depot is now transformed into an  eclectic antique piano restoration workshop with a Bohemian sensibility and is one of Berlin’s most revered intimate classical music venues located in the Wedding district, run by neurologist Christoph Schreiber founder, director and piano restorer!

Pianist Ivan Ilić earned degrees in mathematics and music at the University of California Berkeley before moving to Paris on a university fellowship. He then studied at the Conservatoire Supérieur de Paris, where he took a Premier Prix. The City of Paris sponsored his first recording.
Early career highlights included recitals at Carnegie Hall, Wigmore Hall, Ireland’s National Concert Hall, Toronto’s Glenn Gould Studio, and the American Academy in Rome. He recently gave recital débuts in Vienna, Sao Paulo and Geneva.


Exciting news – Ivan has been appointed Musician in Residence at Ulster University   for 2018-2021

Ivan’s website – http://www.ivancdg.com/


Seductive light from chandeliers and scattered lamps illuminate a cornucopia of pianistic delights! A beautiful Bösendorfer sits aplomb a piano shaped stage. Parts patiently waiting to be assembled are the accoutrements of these industrial walls.

Piano Salon Christophori website – https://www.konzertfluegel.com/


To complement his Reicha Rediscovered CD series for Chandos Ivan recently filmed a 4-part documentary series about Antoine Reicha which he wrote and presented.

 NO-TE productions.

 1 Berlin – https://www.youtube.com/watch?time_continue=17&v=f0hN3aZXd68

 2 Bonn – https://www.youtube.com/watch?v=mzUyhgevxvE

3 Hamburg – https://www.youtube.com/watch?v=VAy1du-zC04

4 Vienna – https://www.youtube.com/watch?v=Z2xC3UDeTYo



A review in the NEW YORK TIMEShttps://www.nytimes.com/2018/09/07/arts/music/anton-reicha-ivan-ilic-beethoven.html?fbclid=IwAR0p8b-qwVWOYJGxC5ozCNdkmBfc8Qgef4uLYy0G4U8ZU_b7Jdk_uMkU2IY


BBC Music, November 2018 issue.
★★★★★ Performance / ★★★★★ Recording
“Reicha’s music has the best possible advocate”


Track samples and purchase –



Who is Reicha you may be asking?

Czech composer Antoine Reicha (1770 – 1836) Born in Prague. After the death of his father he was adopted by his Aunt and Uncle who was a virtuoso cellist, conductor and composer, and moved with them to Bonn when he was 15 years old.  In Bonn, Antoine played violin and  flute in the court chapel, alongside another young gentleman, also born in 1770, Ludwig van Beethoven. Living in Hamburg, Leipzig, Vienna and Paris he was a teacher of  accomplished musicians of the day  including Liszt, Gounod, Berlioz and César Franck.  In Paris he was appointed a professor at the Paris Conservatory. He was also an accomplished theorist and wrote several treatises on composition. Some of his theoretical work dealt with experimental methods which he applied in a variety of works such as fugues and etudes for piano and string quartets. Until now much of his music was left unpublished in France’s National Library.

Here, thanks to Ivan Ilić we glimpse through a portal into the life and works of this innovative composer –



 A theatrical assemblage in blue, the perfect backdrop!



Christoph Schreiber, founder, director, also a neurologist whose passion to restore antique piano’s has created this magnificent artsy eclectic space for classical music concerts. It is a non profit venue and there is an honesty jar for cd and ticket purchase price.


Ivan plays with clarity and sensitivity, powerful and yet gentle at the same time which I find rare and expresses an enthusiasm for research that is contagious!  This CD is exceptional from the first haunting track; Étude, Op 97 No 1 to the finale and it is extremely refreshing to hear these phenomenal little known compositions.

The concert programme – Haydn Sonata in C major Hob XVI:50 – Reicha 4 Etudes – Satie 3 Gymnopédies, 4 Gnossiennes – Grieg 11 Lyric pieces

A very attentive and appreciative audience as the concert drew to a close.





Much appreciation to Ivan for the time spent after the concert for me to take photographs.





Reminiscent of an Edward Hopper painting, a photo taken during the interval.

There is much to be said for a sense of adventure. As Reicha explored with ambition and tenacity new avenues of composition,  at times ahead of his contemporaries, so too let us flourish as we embrace each new day with passion and enthusiasm.

Thank you to Christoph Schreiber for his hard work and dedication, to Ivan Ilić for bringing to our ears exciting unknown compositions and to you all for joining me here at the Piano Salon Christophori, Berlin.  Naturally, I feel inevitably compelled to return Until then, I will listen to Ivan Ilićs wonderful CD and reminisce.


Hotel Henri









Further Links – 


France Musique – https://www.francemusique.fr/emissions/musique-en-regions/ivan-ilic-pianiste-65747?fbclid=IwAR365cRmUBWLDWDrYmzO3L5At8OwK3KMDWBq-481siUX2kapDXNZr6lEW6k








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Swiss Alps: Maison Bergdorf – Mountains – Fanny and Felix Mendelssohn

Contemplating the Muse

No. 18

Linda Ibbotson


“It must be a sign of talent that I do not give up, though I can get nobody to take an interest in my efforts.” Fanny Mendelssohn.

Harder Kulm

Interlaken from Harder Kulm

There are times we need to clear the head and no better place than the mountain air. I stayed in a magnificent 1897, wisteria clad, wooden Swiss chalet Maison Bergdorf  Boutique Guesthouse in a quiet location in the centre of Interlaken as recommended by ELLE UK, TRAUMHAUS, etc and myself, owned by a dynamic duo Stéphane Houlmann – arts enthusiast and interior designer and Mirko Beetschen – journalist and writer. It is a recently renovated creative idyll, an eclectic mix of contemporary and period art and design as well as home comforts. It was wonderful to meet host Bea who has a love of vintage  motorbikes and India! Perfect!






It was fascinating to discover that Felix Mendelssohn (1809-1847)  German composer, pianist, organist and conductor of the early romantic period had visited this region on several occasions, painting, sketching and composing He is known particularly for  Symphony No.1 in C Major for full orchestra, written in 1824 when Mendelssohn was aged 15, Wedding March, Fingals Cave, Songs Without Words (Lieder ohne Worte)etc. Interestingly, he was an accomplished mountaineer in addition to being educated in art, literature, languages, and philosophy! He corresponded regularly while on his travels in Italy and Switzerland to his family sending sketches and snippets of his new compositions. In one of his letters penned in 1842 to his elder sister Fanny he wrote  “The scenery around Interlaken,” then a village was “the finest of all in this unbelievably beautiful country.”



Lauterbrunnen sits prettily in the valley of 72 waterfalls, Lake Thun ( Spiez ) and the mountain range Jungfrau, Eiger and Monch

Felix and Fanny were born to a prominent and affluent family in Hamburg, who in 1811 moved to Berlin where the family home was established as a fashionable music salon Sonntagsmusiken. Concerts were organised (ultimately by Fanny) and held for nearly a quarter of a century at the glass domed garden hall at Recksches Palais, Leipziger Strasse. With a bohemian sensibility it was frequented by artists, musicians and scientists such as Goethe, Paganini,  Liszt, Clara and Robert Schumann and the Humboldt brothers. The musician Sarah Rothenburg wrote “Europe came to their living room.” Considered child prodigies they initially studied music with their mother who had trained in the Berliner-Bach tradition, then with Marie Bigot in Paris, Ludwig Berger and composition with Carl Friedrich Zelter in Berlin. Felix set several of Gothe’s poems to music.

It is the story of Fanny that I found particularly both intriguing and heartbreaking.

Fanny Mendelssohn (1805-1847) was indeed a virtuoso, passionate about music, could, at age 14 play all 24 Preludes from Bach’s The Well Tempered Clavier by heart and was an accomplished pianist and composer of more than 400 works including, piano and organ pieces, chamber music, cantatas, dramatic scenes, an oratorio and an orchestral overture. At  age 22, less than a year after Beethoven had died she wrote a magnificent energetic piano sonata! This manuscript of the majestic Easter Sonata was miraculously discovered in a Parisian bookshop in 1970! It premiered in her name on September 7th 2012, played by Andrea Lam and received a second performance by Sofya Gulyak on March 8th 2017 for BBC Radio 3. It was the second sonata composed by Fanny Mendelssohn and was completed in 1828 and had incorrectly initially been attributed to Felix as composer.

In 1829 after a period of five years, enforced by the family to have no contact with Wilhelm, Fanny finally married the artistic Prussian court painter Wilhelm Hensel  who had subsequently been awarded a fellowship by the Prussian King to study in Rome. He was extremely encouraging and supportive to her work and they formed a creative collaboration, bringing music and drawing together on the page.



The following year she had her only child, Sebastian. Now, financially independent, in 1839/40 the family embarked on a much longed for Italian journey of discovery. Writers and recollections such as Goethe’s Italian Journey and Wilhelm Müller’s Rom, Römer und Römerinnen, fuelled her desire. Her travel experiences greatly impacted upon her and inspired her to write a 12  part piano suite, Das Jahr, portraying the 12 months of the year, each written on colored paper, illustrated by William with attached poems and is considered one of the greatest of the unheralded piano suites of the nineteenth century. In addition, she kept a travel diary and corresponded regularly with her family. They visited Padua, Verona, Florence and Venice, admiring masterpieces by artists such as Tintoretto and Titian. Her time in Rome and the invitation to Villa Medici, by the famous French painter Ingres (1780-1847) was an invigorating, joyful experience in her life, particularly the intellectually stimulating musical soirée’s as recorded in her diaries, returning to Berlin feeling liberated, with renewed confidence and fortitude.

It was whilst they were in Rome, they met Charles Gounod who became a firm friend and who clearly had great respect and admiration for Fanny, both as a person and as a musician. From Gounod’s memoirs here is an extract;  “Madame Henzel  was a first rate musician − a very clever pianiste, physically small and delicate, but her deep eyes and eager glance betrayed an active mind and restless energy. She had rare powers of composition, and many of the “Songs without Words” published among the works and under the name of her brother were hers. Thanks to her great gifts and wonderful memory, I made the acquaintance of various masterpieces of German music which I have never heard before, among them a number of the works of Sebastian Bach − sonatas, fugues, preludes and concertos − and many of Mendelssohn’s compositions, which were like a glimpse of a new world to me.” 

More about her Italian adventures from her diary and letters  https://www.biu.ac.il/hu/mu/min-ad/06/Fanny_Mendelssohn.pdf

Felix and Fanny had a close personal and musical relationship and he valued and trusted her educated opinion, even publishing some of her songs in his name. One in particular Queen Victoria loved, published in Felix’s name was written by Fanny. However, as Felix’s career developed, despite her ambition, Fanny was limited by convention, restraint and prevailing attitudes toward women at that historic time. Although encouraged and respected as a composer she was restricted to the confines of performing recitals at the Salon as family opposition prevented her being published in her own name, reminding her that her domestic life should be her priority. Her father wrote to her in 1820 “Music will perhaps become his [i.e. Felix’s] profession, while for you it can and must be only an ornament.

Thankfully, she defied this by being published in 1846.

“Everything we see hides another thing. We always want to see what is hidden by what we see, but it is impossible.” Magritte, 1965

 I admire her strength and tenacity as she continued composing, (even after nursing her family struck with cholera) despite the imposed restrictions. She doubtless felt frustration and sadness at times. Thankfully, her ‘hidden’ work is being bought to the fore now, recorded and performed and given the due credit and respect it deserves. Tragically and ironically, Fanny Hensel died in Berlin in 1847 of a fatal stroke suffered while rehearsing one of her brother’s oratorio’s. Grief stricken, Felix, six months later also died of the same cause. Earlier that day she had set to music a lyric poem by Eichendorff, the final words being ‘Thought and song fly way into the heavens

Both are buried in Berlin, however, their legacy lives on, in music and in hearts.

It is refreshing to hear compositions little known and a beautiful, wistful composition by Fanny is shown in the links below and to me epitomizes sadness, juxtaposed with hope. Attacca Quartet plays Fanny Mendelssohn String Quartet — First Movement.

Let us not be discouraged in our creative life and continue our personal journey with fortitude despite difficulties we may encounter. Thank you for taking the time to read

















Fanny Mendelssohn – Piano Sonata G minor – Allegro molto agitato –https://www.youtube.com/watch?v=UtlCpIoWQUo


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Poetry Guest Interview – Irish writer Kerrie O’Brien

Contemplating the Muse

No. 17

Linda Ibbotson

Thomas Merton. “Art enables us to find ourselves and lose ourselves at the same time.”


With the onset of Spring I recall visiting Paris in April 2017 to walk in the footsteps of artists and writers such as Hemingway, Proust and Chagall. I was welcomed by a resplendent palette of color; delicate deep pink cherry blossoms, horse chestnuts and the ancient lilac wisteria clambouring the walls of Aux Vieux Paris d’Arcole, complementing the blue paintwork and purple chairs that tempt you to stay awhile, to sip wine and wait to hear the bells of nearby Notre Dame.

I am delighted to interview the wonderful Irish writer Kerrie O’Brien who has spent much time in Paris, the City of Light. Her collection Illuminate published by Salmon Poetry was chosen among the 2016 Books of the Year by The New Statesman The Irish Times and The Irish Independent. She is a recipient of numerous prestigious awards and is widely published, including; The Irish Times, The Irish Examiner and featured in Irisi, Cara, RTE Arena, Sunday Miscellany and The RTE Bookshow.

I met Kerrie at her poetry reading during the Cork International Poetry Festival 2017. Her skillful, succinct poetic style, her themes, sensitivity and insight of the human condition with its strengths and frailties, her love for Paris and devotion to the arts resonated with me. It is as if she paints words with color.

BIO Kerrie O’ Brien is a poet from Dublin. Her debut collection of poetry Illuminate was published by Salmon Poetry in October 2016 and was made possible by a Literature Bursary from the Arts Council of Ireland. She was the editor of Looking At The Stars, a limited edition anthology of Irish writing which raised over €21,000 for homelessness in Dublin. She holds a BA in History of Art and Classics from Trinity College Dublin.

Website – http://www.kerrieobrien.com/  



1  Tell us about yourself. 

I’m from Dublin. I was born in Kingswood, Tallaght and went to school in Terenure. I didn’t start writing poetry in a serious way until college and it wasn’t until my final year that I had the courage to submit my work to journals. In 2010 I started volunteering in the Irish Writers’ Centre which meant I could do courses there for free and I began going to the open mic nights in Dublin like Glor Sessions and Nighthawks and discovered the thriving literary scene that still exists here. I brought out a chapbook with Lapwing called Out of the Blueness in 2011 and was lucky enough to win some awards and arts grants but by 2015 I was working full time in Hodges Figgis and had abandoned writing. Then I broke my foot which forced me to be at home for six months and that’s when I finally wrote Illuminate and rediscovered my love of creativity. In 2016 myself and Alice Kinsella created a limited edition anthology of writing called Looking at the Stars which raised over  E21,000 for the Dublin Simon Community.

2  What took you to Paris? 

I spent six weeks in Paris in 2012. I wanted to go somewhere new to live on my own and write and that’s when I properly fell in love with the city. One of my best friends from college lives there so I go over as often as I can. I spent another month there in May 2016 just after I finished Illuminate and in August 2017 I was awarded a language bursary from the Centre Culturel Irlandais and I got to spend five weeks there with an incredible group of people. I think I’ll probably end up living there. I’ve spent more time in Paris that any other city outside of Dublin.

3  Like me you have a penchant for the café culture. What is your favorite café / Parisian haunt?

There are literally hundreds. Shakespeare and Co have a beautiful little cafe that looks onto Notre Dame. It’s a great place to sit and write and watch the world go by. The top floor of the Pompidou has a restaurant with a panoramic view of Paris and it’s magical at night. Every street in Paris will have a beautiful old independent bistro and I find it a much slower way of life – people aren’t on their smartphones as much – it’s why I love spending time there so much. 

4  What motivates you to write and which writer’s have influenced your poetic style.

When I was sixteen I got a book of photography by Nan Goldin and in it was a poem by Sharon Olds called The Promise. I didn’t know poems like that existed. There’s a beauty and vulnerability to her work that I connected to. When I went to Trinity I had access to the library and so I was able to explore poetry in depth. Apart from Olds, Plath and Anne Sexton the accessible but beautiful conversational style of Frank O’ Hara’s Lunch Poems had a huge influence on me as did the stark depictions of grief in Birthday Letters by Ted Hughes. These are two collections that I still go back to again and again.

Feature in Cara Magazine, June 2017

5  I am interested to hear about your writing process both poetry and fiction.

For me they are completely different. I always write my poems by hand. They will usually start with a line or a concept that I want to flesh out and explore and see where it takes me. It can take months and I’ve never been able to force my self sit down and bang out a new poem. It takes a while for the ideas to come together, to discover what voice is trying to emerge in the work. I find poetry extremely difficult because I’m usually writing about something emotional and there’s probably a sort of psychological healing going on. With fiction I always write directly onto a laptop and it’s much more dependent on daily word counts and fictional scenarios – to me my fiction reads in an entirely different tone and pace to my poetry.

6  As an artist do you find the process of painting similar to that of writing?

Again for me they are completely different forms of expression! I find painting much more spontaneous and enjoyable – I feel happy and energetic after a day of painting where as writing exhausts me. I find the same thrill with photography which is perhaps because I’m looking outwards rather than inwards. But I ultimately find poetry the most fulfilling art form. I spent a lot of last year touring and reading Illuminate. I felt proud of the work and found that the poems really do resonate with people on an emotional level. Some of my poems have been used at weddings and funerals. The fact that my words can touch other peoples lives like that is incredibly rewarding. At the moment I’m more focussed on my photography and exhibitions but I can already feel the second collection of poems coming to the surface. I’ve been lucky enough to get recent commissions for both my photography and writing which is almost miraculous so I look forward to seeing where the year ahead will take me.

 7  What are your favorite lines from one of your poems?


Probably the last lines of Illuminate –


I want my spirit to go out

Like a laughing child

Running though the fields

And all along the white sands of the sea

Ready for anything



Three poems from Illuminate :-



They found him

Hunched over a

White sink

All his beauty let out.


I think of him in his studio

East Hampton 1964

Wooden beams


Concrete floor


Sitting back in a dark green chair

Head tilted, cigarette in hand

Peering at his creation

Layers and pain

Towering before him

Lost to it,


One mere man

What he gave


I see him with wings


Immersed in his

Low lit hush

Portals expanding

Crimson lilac

Burnt orange, greys


Weighted hum

Solemn yet violent


Fire, heart


Spilling out


So close and strange

People weep


Sacred –


What we do to each other

And give

Without knowing.



Morning Sun


The bed faced the window


So I would wake to brightness

Stretch in its warmth


And contemplate the rooftops

Of the city.


I felt like one of Hopper’s

Solitary women

Rose pale, dappled gold


Made of light and shadow.


Miss you, try not to

Know you felt it


Same mind, blue threads

The red tether

The hunger.


Shiver in the memory

Then bathe


Gentle with my body


Watch the steam

Rise and swirl


And float


My heart softly

Expanding –


The room

Full of bright cloud.






For one month only
To keep tradition

Every January
His bluegreen waters,
And apricot skies

A whole life chasing light

You wonder
Will they still do this
A thousand years from now

Or will everything eventually
Be forgotten.

And once –
A different presence in the room

A figure
Thin and distracting

Elegant as a heron
Lilac and grey

It was Le Brocquy

Standing otherworldly
In a Venice sunset

The last time he would see them
And I wonder did he sense it

Transfixed by their glow

As when they first discovered
Fire gold fire oh

How they must have trembled
At the beauty

Many thanks Kerrie for a inspirational insight into your artistic and literary life.
May we all strive to weave color into the backbone of our lives, to find and lose ourselves in the beauty of the arts, to contemplate rather than procrastinate, to experiment, to flourish and create our own masterpiece.
Thank you to all the readers for joining me here and look forward to next time.
Linda at Cobh Railway station 2
Links – Poetry video’s of Kerrie reading two of her poems.

‘Dublin’  https://www.youtube.com/watch?v=3l2pNBwuqrA


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Venice – Art, Architecture and Ivan Ilić ‘Reicha Rediscovered’

Contemplating the Muse 

No. 16

Linda Ibbotson

“When I seek another word for ‘music’, I never find any other word than ‘Venice’.” Friedrich Nietzsche.

When pianist Ivan Ilić announced his cd  ‘Reicha Rediscovered’  was to be launched in Venice on 28/09/2017 at the magnificently restored Palazzetto Bru Zane, (Centre de Musique Romantique Française, San Polo)  it was the catalyst that awakened my desire to attend this wonderful momentous occasion and to rediscover Venice!


Grand Canal

Venice,  the name derived from Venetti, the people who inhabited the region by the 10th century BC. Also known as La Serenissima, Venice is shaped like a fish, 118 small islands spanned by over 400 named bridges and resembles a theatre of stone!  The banks of the Grand Canal are lined with more than 170 buildings, most of which date from the 13th to the 18th century, and demonstrate the welfare and art created by the Republic of Venice.


‘Reicha Rediscovered’ – CD Launch – Palazzetto Bru Zane




Pianist Ivan Ilić earned degrees in mathematics and music at the University of California Berkeley before moving to Paris on a university fellowship. He then studied at the Conservatoire Supérieur de Paris, where he took a Premier Prix. The City of Paris sponsored his first recording. Early career highlights included recitals at Carnegie HallWigmore Hall, Ireland’s National Concert Hall, Toronto’s Glenn Gould Studio, and the American Academy in Rome.

Link to Ivan’s website – http://www.ivancdg.com/index.php?lang=en

‘Reicha Rediscovered’  is the first cd in a forthcoming series by Ivan and is released by Chandos; one of the world’s premiere classical record companies, produced by Swiss National Radio and supported by the Palazzetto Bru Zane.  Antoine Reicha was a contemporary of Beethoven and many of his compositions unpublished, stored in France’s National Library.

**Episode one released May 2018 of a four part video documentary series about Antoine Reicha’s life and work ( a contemporary and friend of Beethoven.)  Brilliant accomplishment, informative, filmed with photographic finesse!  Available on Apple Music, and You Tube, a new collaboration with Chandos Records.



Ivan Ilić’s  essay in International Piano regarding Reicha and his compositions – http://www.rhinegold.co.uk/international_piano/reicha-rediscovered/


Palazzetto Bru Zane


In 1695, Marino Zane (1639–1709) commissioned the construction of a library and a casino (now the Palazzetto) next to the residence of the family Zane, the Palazzo Zane Collalto. It was intended to house his collection of books and paintings and to serve as a venue for music and arts.  The architect Antonio Gaspari was responsible for the interior decoration of the casino, owned by the Zane family.

In 2006 the Fondation Bru bought the Casino and is now a music venue, meticulously restored with sixteen rooms, the pièce de résistance; a double height concert room with ornate wooden balustrade and coved ceiling decorated with paintings incorporating Hercules and Olympian Gods. There are also frescoes by Sebastiano Ricci and stuccowork by Abbondio Stazio.





Mosaic flooring and Murano glass wall lights (that, to me resemble hands) at     Palazzetto Bru Zane


It was a magnificent concert! Expressive Reicha compositions played beautifully by Ivan! The majestic and delicate played with incredible precision and passion!  The concert was simultaneously broadcast on Venice Classic Radio and Bru Zane Radio! Especially adore Grande Sonate in C Major and Etude Op. 97 No. 1.





Flora in Vitro Glass flower exhibition – Georg Ragner Levi at Palazzetto Bru Zane

 Rialto and San Marco


Lorenzo Quinn’s giant hands of Support at Ca’ Sagredo Hotel.

Hands seem to play an intrinsic part of my Venetian experience! Ivan’s skilled pianistic hands, Murano glass wall lights at Palazzetto Bru Zane that resemble hands to Lorenzo Quinn’s  sculpture ‘Support,’ giant hands emerging from the Grand Canal!

Visually, Venice is a masterpiece! From the ancient splendour of Baroque, Byzantine and Moorish influenced Gothic architecture, particularly in the Chiesa’s (churches), the delicate Murano artisan glass chandeliers, the prodigious work of Renaissance artists such as Carpaccio, Titian and Tintoretto, influenced by light and play of light on water (a legacy to European art) to the contemporary Venice Biennale spectacularly captured in 2017 by Lorenzo Quinn’s giant hands of Support at Ca’ Sagredo Hotel.


Rialto Bridge

Beautiful architecture of the Rialto Bridge, completed in 1591, the oldest of four spanning the Grand Canal. During the first half of the 15th century, two rows of shops were built along the sides of the bridge and is still today, a thriving market area.


Rialto, a thriving market area


Me. The principal façade of Ca’ d’Oro in the background.

Ca’ d’Oro is built in the Bon’s Venetian floral Gothic style. Other nearby buildings in this style are Palazzo Barbaro and the Palazzo Giustinian. This linear style favoured by the Venetian architects was not totally superseded by the Baroque one until the end of the 16th century.


Rialto Market

                                                             San Marco


After viewing the impressive Piazza San Marco, Doges Palace, the glorious St Mark’s Basilica; one of the best known examples of Italo-Byzantine architecture, paradoxically, the only way to find Venice is to lose yourself in the labyrinth of decay and splendour.




Campanile  San Marco

The tower is 98.6 metres (323 ft) tall, and stands alone in a corner of St Mark’s Square, near the front of the basilica. It has a simple form, the bulk of which is a fluted brick square shaft. Each of the five bells of the campanile had a special purpose.

The Renghiera (or the Maleficio) announced executions; the Mezza Terza  proclaimed a session of the Senate; the Nona sounded midday; the Trottiera called members of the Maggior Consiglio to council meetings and the Marangona, the biggest, rang to mark the beginning and ending of working day. They are tuned to the key of A Major.



The Labyrinth






Caffè Florian                  


Antoine Reicha’s expressive composition Etude No. 1 beautifully played by Ivan Ilić from ‘Reicha Rediscovered’ haunts my mind…..



You will discover timeless haunts such as Caffè Florian an art noveau haunt famous for its delicious hot chocolate and plethora of artists, musicians and writers; Byron, Verdi, Hemmingway, Modigliani to name a few. The Florian opened with two simply furnished rooms on 29 December 1720 as “Alla Venezia Trionfante” (Venice the Triumphant), but soon became known as Caffè Florian, after its original owner Floriano Francesconi.



Libreria Acqua Alta


The renowned Libreria Acqua Alta bookshop where books are kept safely afloat in a gondola and bathtubs! Cats everywhere and a fire escape that leads into the canal. 5167 Castello, five minutes walk from Campo Santa Maria Formosa.



Basilica di Santa Maria della Salute



L – Bridge of Sighs – The enclosed bridge is made of white limestone, has windows with stone bars, passes over the Rio di Palazzo, and connects the New Prison (Prigioni Nuove) to the interrogation rooms in the Doge’s Palace. It was designed by Antonio Contino (whose uncle Antonio da Ponte had designed the Rialto Bridge) and was built in 1600.

R – Across the lagoon, San Giorgio Maggiore is now the headquarters of the Cini Foundation arts centre, known for its library and is also home to the Teatro Verde open-air theatre.

 Hotel Danielli




Hotel Danielli,  the location for The Tourist movie and where George Sand stayed with her Iover Alfred de Musset. It was built at the end of the 14th century by one of the Dandolo families. Many notable artists, writers, musicians and other luminaries stayed here, among them Goethe, Wagner, Charles Dickens, Byron, Peggy Guggenheim, Leonard Bernstein, Benjamin Britten, Harrison Ford, and Steven Spielberg.

Ca’ Del Sol


Ca’ Del Sol


Ca’ Del Sol

Ca’ Del Sol costume and hand made mask shop and workshop  Canonica Bridge, campo S. Provolo and the
fondamenta Osmarin.



Interpreti Veneziani  (during rehearsals)


Glorious concert as Interpreti Veneziani play Vivaldi at Chiesa san Vidal near the Accademia bridge. The final fading notes of a cello, fragrance of a nearby oleander, the creaking crowded Grand Canal night vaporetto indelibly etched in my mind.


The Finale


Enter a caption

View from The Accademia Bridge (Ponte dell’Accademia). It links the San Marco district with the Accademia gallery in Dorsoduro. It offers two of the best views in Venice, looking along the Grand Canal in each direction. On one side lies the dome of Santa Maria della Salute, and on the other the canal wending its way towards the Rialto Bridge.

Venice is compelling, the ultimate lure for the artistic and intrepid traveller! I hope you get to visit one day if you have not already had the pleasure……….


Links –

Episode 1 of new doc. series about Antoine Reicha’s life (a contemporary of Beethoven)  https://itunes.apple.com/gb/music-video/reicha-rediscovered-episode-1/1376888587

Ivan Ilić plays Antoine Reicha’s Etude No. 1  https://www.youtube.com/watch?v=QSHm3ZphFlk

Ivan Ilić performs Antoine Reicha’s Capriccio    https://www.youtube.com/watch?v=WTE60JLeyPo









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